Orignal Name : The ABCs of Death 2013
Country: USA | New Zealand
Language: English | Spanish | Japanese | German | French | Korean
Release Date: 26 April 2013 (UK)
Also Known As: Abeceda Smrti
Directors: Kaare Andrews, Angela Bettis
Writers: Kaare Andrews (segment), Simon Barrett
Stars: Ingrid Bolsø Berdal, Kyra Zagorsky, Iván González
User Reviews
Indeed, the most thematically guaranteed collection movies have a tendency to be a blended sack.
The structural contrivance driving The Abc's of Death takes this propensity to the 9th degree.
Twenty-six executives (for the most part from the horrendousness and sci-fi planet) were given a letter of the letter set, a 5,000-dollar plan and tasked with concocting a short film delineating a path to bit the dust dependent upon an expressions of their picking that begins with their doled out letter.
They were additionally given full power to enjoy in their generally peculiar whims, which to a few benefactors implied a reason for sexually express and too much realistic savagery. Others made works of unadulterated, debased ludicrousness and still others utilized it as a chance to turn some cutting hangman's tree hilariousness.
Time Crimes chief Nacho Vigalondo kicks things off at "A", which ends up being the trickiest section in the whole system, controlling startling brutality into cartoonish drama before conveying a truly shocking and zealously intricate, yet still hazily amusing turn.
While every letter is put forth consecutively, the chief's picked word isn't uncovered until the close of every short. Some utilize the title as a punch line or disclosure, some to underscore or explain the piece's subject, while weaker deliberations (like Ti West's Miscarriage) just give a name to clear occasions or are a trick to legitimize a disturbing interest (Jason Eisener's frightful, tacky Young Buck).
Between existentialist musings about disgrace and social decorum by path of fart fetishizing (set to traditional music, a school young lady suffocates on her female choir instructor's butt scent) and a labia-exposing Nazi waving a dong-sword at a stripped woman who shoots vegetable shots from her vagina (good fortunes figuring which letter that applies to), the Japanese submissions effortlessly walk away with the Bizzaro honor.
Every single methodology differs fiercely in style, plan and quality. Style regularly scores out over substance (Dogfight is grittily pretty, in that high differentiation lighting, super-moderate movement way, yet slight). Be that as it may, the two do meet a couple of times, generally recognizably in the expressionistic blending of joy and torment with "O" and considerably more so in the uncompromisingly somber sci-fi populace control anecdote of "V" (the main short that asks for extension).
It's not particularly astounding that some unpleasantness executives have issues with real capacities, with no less than three shorts concentrated on latrine strain (the Claymation executioner poop house is somewhat clever), nor is it startling that there's a mess of cruel self-earnestness (Pressure) and a couple of endeavors at ridiculing cop-outs (Quack).
Without much space for consistency, its difficult to envision numerous viewers appreciating even 50% of what's offered, and the draw of scientific interest won't be sufficient for all however the most dug with dismay fans. Confidently you will see it yourself and make up your own particular personality.
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